This Harmony Rocket was built in 1967 in Chicago. Harmony made this version of the Rocket from ’66 to ’67. Sometime between ’67 and ’68 they discontinued the single cutaway and produced instead the double cutaway version which I am not a very big fan of.
I am a huge fan of the second incarnation of the gold foil pickups though. Some call these “double mustache” pickups. They are very similar to the gold foils except these have adjustable poles and aren’t quite as hot. I played this guitar back to back with my Harmony Bobkat (Gold Foils). It seems like the Double Mustaches wouldn’t give me all the tube saturated goodness that I have been getting out of the Gold Foils. It still needs a bit more set up so I’ll have to keep working on it.
Let’s mention the elephant in the room, as it were. This guitar is so clean that you might think someone sold me a reissue. This is not a reissue. This is the real deal down to the date stamp on the back of the pickups:
I was skeptical at first too. The finish is shiny and shows no checking. The frets are tarnished a bit but have almost no playing wear. The only thing that was wrong with this guitar when I got it was that the rivets in the bridge pup were loose. I tweaked them a bit and popped them back in and it is good to go now. I might clean up the pots a bit when I get the chance.
One unique thing about these Harmony guitars is that the necks don’t taper towards the headstock but are one uniform width the whole way. If you are used to a Fender or Gibson neck then the first 3 frets might feel a bit wide and the 12th fret area might feel a bit skinny. It really doesn’t feel that different to my hands unless you have just put down another guitar.
My previous Rocket had a rather serious design flaw: no adjustable truss rod. By 1965 Harmony realized that wouldn’t fly any more especially with their weaker Poplar necks. This one is lucky to have one but really doesn’t need any adjustment. In fact, I don’t think any of the screws/nuts had been turned before I took the pickups off for cleaning. Unfortunately there is really not a good way to tell if that is true until you try to turn the screws!
“I have a ’66 Harmony Rocket that I am in love with. It’s cherry red. I play it out of a ’66 Silvertone 1483 with an intact Jensen 12″ speaker. It can glitter, it can growl, it can rock, it can lull you to sleep. So far, it’s the perfect rig.”
I have GOT to get me a Silvertone 1483. I have been looking for a good 60s Silvertone amp for a while. I think it is safe to say that Brittany is a fan of her rig. What do you think about her tone? Leave a comment and let me know what you think.